Amphion.

My Father gave me my first guitar when I was six. A classical guitar. It had steel strings on it. I have no idea why as classical guitars always have nylon strings. I managed to learn a few chords and my father taught me “Nights In White Satin.” by the Moody Blues. Like a lot of kids who start playing guitar, the finger pain just wasn’t worth it. Not when I was six years old anyway. I cut the ends of my fingers regularly. Once I gave up, I didn’t really touch it again until I was fifteen. My Father always had a guitar around and played his folk music on and off throughout my childhood.

Picture the scene… Its late 1990, I have one year left of school. The neo hippy movement was starting to fizzle out. My peers and I were all into reggae and things like the Happy Mondays. My best friend, Mr Loc and I had been mostly into pop, reggae and rap. Mr Impotent used to work as a paper boy at the same newsagents as Mr Loc and I. A couple of years older than us and from a troubled home, he had flown the nest and disappeared for a couple of years. When he popped back up again, we started hanging out together. In his absence, Mr Impotent had got into thrash metal. Mr Loc had caught the same bug off him and before long they were both nagging me to get into it but I was obsessed with UB40 at the time. They would come round and put on Slayer’s latest offering, “Seasons in the Abyss.” I was a fluffy, recently loved up for the first time, pretend hippy listening to love songs like “Homely Girl” and “Tears From My Eyes.”

So as you can imagine, I found the dulcet tones of “Dead Skin Mask” somewhat disturbing. From newfound love to serial killer horror!

Before long though, I too had caught the bug. My Fathers record collection was full of classic rock among other genres. Once you get the metal bug, it drags you into rock history pretty quickly. My Father laughed when he found half his record collection had disappeared into my room. Black Sabbath, Led Zeppelin, Jimi Hendrix… You get the picture.

Being the teen fans we were, instead of the hairbrush bands most of us played at some point as a child, playing air guitar was enough at first. None of us had any chance of owning an electric guitar any time soon so in the end, we all “borrowed” our parents acoustics and started shredding. Or so we told ourselves. A lot of people say you can’t play metal on acoustic guitars. We did. It’s hilarious looking back. The three of us looking like we’re playing some fluffy folk song but chugging away and headbanging like crazy people. Absurd! We were “There” though. Playing “Dawn Of Eternity” by Massacre. Swing those heads!!

A few months later, Mr Impotent purchased a white Charvette electric guitar. To give context, at the time, most of our favourite bands and guitarists were using Jackson guitars.

Jeff Hanneman. Slayer.
Dave Mustaine. Megadeth.

The Charvette was the cheaper ‘baby’ line from Jackson/Charvel. Much like Fender’s Squire Stratocaster. The only thing that mattered? That gorgeous, legendary pointy headstock.

Mr Impotent was so obsessed with this guitar, he didn’t even have enough for an amp. Muppet. Mr Loc and I were green with envy, and abused him rotten for months.

Not long after this my girlfriend, also a thrash fan, fell pregnant and I had left home to be with her. I got my first job, and saved for a while. Then… Oh happy day… Oh glorious day… It was MY turn. Back then, there were quite a few guitar shops in the Mouth and they all had several second hand guitars. So I spent the day visiting each one to see what they had. Then I found it. Not only was it a Charvette, but it had the reverse headstock. In blue. Reverse headstock? I’d never heard of it at the time and got so excited I nearly wet myself, bless me. I only have one photo of it.

1993.

After about a year later, I traded it in for a black, Floyd Rose style, humbucker equipped Charvette with the traditional headstock. Dive bombs here I come!

I played this guitar into the ground. Literally wore it out. I recently performed necromancy on the old girl and blow me if she wasn’t still playable. She needed a few days to settle as she hadn’t had any strings for years.

Smoke Without Fire. c 2000

She finally died in 2000 when I was in a band with Mr Loc, Mr Straight, Mr Impotent and the Hodgemeister. We had gigs at least a couple of nights most weeks and I had no time to save for a replacement so I did the one thing you should never do… Purchase a guitar without trying it. On credit. From an home shopping catalogue. Well, I got away with it. I chose a Yamaha Pacifica as it had a traditional look with a high output humbucker. It was a gem. Setup perfectly out of the box, I didn’t have to do a damn thing to it. To this day it still rocks and plays beautifully. It’s my go-to when I want to mix it up. You can play everything from Pink Floyd to Metallica on it.

Yamaha Pacifica.

We lasted about 2-3 years before the inevitable ego war/cheating broke out. Shame. We were just getting into our stride with our original stuff. The above track is my favourite.

Since then I’ve gone through various phases of playing lots, on and off. My friend Wolverine and I teamed up with Mr Straight a few times to do a few covers in the intermission of My Lady’s play’s. Since we moved to roundabout city in 2009, I’ve hardly jammed with anyone let alone joined/formed a band. My Lady always bemoaned the fact I didn’t play much. Fair enough though. I won her heart with a Pink Floyd song. She loved my playing, always did.

After My Lady passed away, my muse came back with a vengeance. I purchased the purple Jackson and lost myself in the music. It’s only having to find a job that’s got in the way of my progress this year. Even so, I’m a thousand times better than I was. I’m no guitar god to say the least but I’ve learned so much this year. I’ve got into many new bands and sounds. After all this time playing, I’ve started using drop tunings. I have Machine Head to thank for that.

When I still had a job, finance on the Jackson wasn’t a bad idea…

I waited 30 years for this day.

This guitar was everything I had hoped it would be. I felt my playing was at least 30% better just because of how easily it played. I’ve already worn the plating off on the low E saddle! I’ve been breaking picks too…

Very Metal…

The collection.

Jackson JS32 DKAQ Dinky.

My “Grief” guitar.

Redwood Bass

My Lady purchased this one with my SG. We were getting right into jamming together.

Epiphone SG.

My Lady purchased this for me a few months before she passed away. I’ve been using this one since I started drop tunings.

Johnson Bass

My Lady had this bass for years. A cheap one but it doesn’t play or sound cheap.

My collection.

This is all of my guitars. Impressive huh? Trouble is, only the Yamaha and the Jackson were purchased by me. Every one of the others were either gifted or bequeathed to me by loved ones I’ve lost. You see my problem… I’ve only just started playing anything other than ‘my’ guitars. Always poignant…

I practise most evenings, even if I only do exercises. I’m always improving so I’m ‘happy’. It will be a very long time until I can jam with anyone with a view to joining a band so by the time I can, I should be pretty good. So that’s that musical me.

Update: Since the pandemic I have been writing my own songs as a way of expressing what I’ve gone through after My Lady died. I’ve since teamed up with a vocalist in Canada and another in Australia. The feedback we’ve had has been humbling and completely unexpected on my part. I’ve repeatedly been told I should take it to the next level and even release my music.

I’ve spent the last year or so researching what it takes to do this. It’s a minefield to be sure. The writing process has never been easy for me so it’s a rather slow process but our first song is finished. We’re currently working on our second song. There has never been any sense of urgency with any of this as it all started purely as a kind of therapy/distraction from the pain and grief of losing My Lady.

In the last year I’ve met a couple of artists at work who liked my work so much, they want to be involved. One is a CGI hobbyist and the other is a photographer. We even have a Canadian artist working on the album art too. It’s quite surreal having a ‘team’ for this project. We are currently making a lyric video for YouTube and are gathering concepts for a full music video to go with it when it is officially released.

As the music is all about my journey through life since My Lady died and the new man I’ve become during this time, I decided I should put together a concept album entitled “Birth Of The Crookedhorn” to take people on my journey through my music. You can give our first song demo a listen through the below links. Please leave a comment/like if you dig it!

Many thanks. 🙂


Crookedhorn Reverbnation profile.

Crookedhorn Soundcloud profile

Let’s make something together.

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